Monday, February 8, 2010
About Them
Monday, January 11, 2010
Running Notes: Life 101
7 a.m. So it is morning.
I had better get out of bed, hadn't I? Even if it is wonderfully warm and cosy and snug and...no, really, I must. There's work to do. That application I began last week - should I finish it before I begin on the second chapter of my dissertation? Actually, given that I'm fresh and rested right now, getting some serious studying done is a very good idea. But I can't possibly do that unless I clear my table...and if I'm going to put away all the loose A4 sheets and reference books, hadn't I better finish that second chapter first...?
...Or I could burrow back under the quilt, turn over so I'm facing the sunlight filtering in through the blinds, and go back to sleep for another hour.
No contest, I think with a sleepy, dopey grin. It’s a rare privilege…let’s take it this one time.
Sometimes, the fact that we can choose to take it easy means a lot more than everything else put together.
It catches my eye as I'm sprinting down Bungalow Road to the department, late for yet another class. A pair of woolly, fuzzy, lime green-and-white socks. It's sticking out of a basket of gloves and socks and caps, guarded by a heavily-mufflered man holding a steaming glass of chai. Should I? Shouldn't I? Don't be silly, Pragmatism hisses in my ear. Aren't you late for class already? And lime green socks? Seriously, now? Grow up!
Torn between wanting to take a closer look and making it in time for attendance, I finally give in to temptation and stop by the basket. Pragmatism throws her hands up in disgust and walks into her room, slamming the door behind her. Ten minutes later, I am in proud possession of the fuzzy green and white socks. My feet are warm as toast, and I'm grinning for no apparent reason. Sometimes, I look away from whatever it is I am doing and glance at my socks and smile.
Go ahead. Do the goofy, unwarranted thing once in a while, just because you want to. Happiness sometimes comes in the strangest, most unconventional packages. Like a smile from a toddler on the street. Like chocolate for dessert. Or like lime green woollen socks.
She hasn't been herself for more than a week now...not since they had that huge fight. A minor disagreement that blew out of proportion because neither was willing to let it go. She thinks no-one knows. And he hates to think they won't talk to each other again - she isn't just the love of his life; she is also his best friend. It is killing him, but he won't say a word, and he thinks he'll get away with the charade...but he doesn't. Everybody in the gang notices. Everyone tries to convince each to talk to the other, and it is no good because each of them believes that the other doesn't care, that there is no chance of forgiveness.
One morning, several miserable days later, they bump into each other in the common room, where all of us are studying for a test. An uncomfortable silence fills the place, then he bravely steps forward and says, "I'm sorry." That simple. "I'm sorry, too", she responds. And, just like that, all the bitterness melts away.
Don't hesitate. Go on, say it. The attempt to make up may fail. On the other hand, it may not. But if you don't say it, there'll definitely be failure - of more than one sort.
Monday, December 14, 2009
Of Christmas, sandwich spread and solitude

Except that sometimes we do...and Christmas is one of those times when we should thank our lucky stars for it.
Tuesday, December 8, 2009
A Question Paper Called Life
Advice that I took seriously. It was difficult not to, given how animated she became whenever she talked - whether it was about history, literature, life or just general examination advice. Her eyes would sparkle with enthusiasm and genuine love for what she did, her hands did some explaining of their own...and her smile was one of the loveliest I had ever known. It still is. When Mrs. Moss taught you, she played Cupid between you and the subject...and you fell for it for life.
Coming back to moving on instead of sitting around waiting for divine inspiration, well, that's a great approach to life. When you've done all you can about something and cannot think of anything further, no matter how hard you push your gray cells - who knows, it is time to move on. It made a lot of sense to me back then. The question would read, "What is your stand in the Nature v Nurture debate? Elaborate with special reference to Caliban in The Tempest." And even when you're as obsessed as I am with literature and its layers of meaning, there's only so much that you can think of when you are asked to pen your thoughts within, ideally, 20 minutes, for 12 marks. I could argue this all day with a friend...but put me in an exam hall, with a clock tick-tocking away at eye-level and three unattempted questions and forty remaining minutes staring me in the face...and you'd have a literature-loving, well-prepared twelfth-grader grappling with an impossible mix of surfeit and spacing-out.
It still makes sense, though, doesn't it? For every crisis, every decision and every situation that life hurls at us with its mercilessly regular playfulness, we fall back on what we know already; we rummage for past experience, wisdom, knowledge or plain facts and figures that can help us make a decision or find a solution. Sometimes, we have the luxury of thinking our decisions through. More often than not, we improvise and hope for the best. On other occasions, without a single clue about what we're writing, we fill seven pages. All the time, we're hoping we will fetch ourselves a 12/12. When we know the answer isn't so great, we hope for a 7 or an 8. And there are still three answers to write, and only 40 minutes to go.
But it always works out in the end. In fact, it works out better than you imagined. But for that, you've got to complete the paper. And to complete the paper, you've got to move on once you have written all that you can in an essay. No use sitting around waiting for divine inspiration, as Mrs. Moss put it. There are other answers to be written.
Thursday, November 5, 2009
Full Circle - 2
Friday, October 23, 2009
Memories in Melodies
Katra katra milti hai, katra katra jeene do
Zindagi hai, behne do,
Pyaasi hoon main pyaasi rehne do...
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Aane vaala pal jaane vaala hai
Ho sake to ismein zindagi bita do, pal jo yeh jaane vaala hai...
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Ae zindagi, galey laga le
Humne bhi tere har ek gham ko galey se lagaya hai, hai na?
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Diye jalte hain, phool khilte hain
Badi mushkil se magar duniya mein dost milte hain...
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Koi roko na deewaane ko
Mann machal raha kuch gaane ko...
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Tum itna jo muskura rahe ho
Kya gham hai jisko chhupa rahe ho...
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Tera mujhse hai pehle ka naata koi
Yunhi nahi dil lubhaata koi
Jaane tu, ya jaane na...
Maane tu, ya maane na...
[Yes, I know this one came back into the limelight recently :)]
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This one is from Marasim, an album that Gulzar and Jagjit Singh collaborated on. It released when I was in senior school, and I have very vivid memories of listening to the songs with Papa as he drove me to and from my Math tuitions (I am seriously mathematically challenged!). I would chatter nonstop, breaking off every now and then to ask him what a particularly difficult Urdu word appearing in the current song meant. He would explain the meaning if he knew it himself; otherwise, we sat and deconstructed the word and tried going into its etymology to arrive at its meaning. Pronunciation in Urdu is extremely nuanced, and my father insisted I pronounce words right, often having to say a word as many as eight times himself for me to get it straight! Now and then, I’d deliberately mispronounce a word, just to hear him say it again, perfectly and with endless patience.
Haath chhoote bhi to rishtey nahi chhoda karte
Waqt ki shaakh se lamhe nahi toda karte...
Mujhko bhi tarqeeb sikha koi, yaar julaahe
Aksar dekha hai tujhko taana buuntey
Jab koi dhaaga toot gaya, ya khatam hua
Phir se baandh ke aur sira koi jod ke usmein
Aage buun-ney lagte ho.
Tumhare iss taane-baane mein lekin ek bhi gaanth-girah
Dhoondkar bhi dekh nahi sakta hai koi.
Maine toh ek baar buna tha ek hi rishta, lekin
Uski saari girrhein saaf nazar aati hain mere yaar julaahe…
Mujhko bhi tarqeeb sikha koi, yaar julaahe…
Translated, it reads:
Teach me your method, friend weaver.
Often have I seen you weave your threads together…
Every time a thread breaks, or runs out
You knot the loose end or tie it to another
And continue with your weaving.
Nobody can spot any of those knots in your weaving, though -
even if they tried.
The only thing I have ever woven is a relationship
But all its knots and loose ends are so clearly visible, my friend.
Teach me your method, friend weaver.
I could go on and on...but there is hardly any point in listing about a hundred and fifty songs :) Old music is something I frequently turn to when I miss home, but it has the dual, rather paradoxical effect of making me feel better and more homesick at the same time! Which are your favourite songs? :)
Monday, October 12, 2009
Wistfulness
Wednesday, April 15, 2009
Nostalgia
Sunday, January 18, 2009
Best left unnamed
I wonder, every now and then, if you knew all along,
I wonder if you felt the same;
if the laughter and the talking were part of something larger
or simply the culmination of a game
of hide and seek, or peekaboo,
or a tentative, hesitant enquiring
into reasons and effects, opinions and dreams...
taking apart of emotional wiring!
Sometimes I wonder if you had guessed
why things happened like they did.
If, like me, you sought silence
when you were contentedly amid
tens of faces, a multitude of voices,
looking, every minute, every hour
for something you didn't quite know how to name,
endearingly elusive, so far.
I wonder if there'll be a second time,
I wonder if it will be the same.
No.
Some things are best left untouched, untarnished;
some things are best left unnamed.
Sunday, January 4, 2009
Let's talk
Never apologise for showing feeling. When you do so, you apologise for truth.
Something that put the warmth back into a freezing January morning for me -
Teeth chattering, I found myself a seat on the train to Kashmere Gate. Wandering idly from the route map to an ad for cough syrup to the pane opposite - where I tried, for the hundredth time, to look for my reflection amid a myriad of blurred images - my gaze fell upon two passengers, right across the aisle from where I sat.
One was a tall, spare man, twenty five years old, thirty maybe. Tucking a pen into his lapel, he was drawing his beige jacket tightly about himself, pride written all over the gesture. Next to him sat an elderly gentleman with a turban and white whiskers, his head resting against the glass partition. Even as I sat there watching them, an animated conversation began.
"They kept asking me to hurry," the younger man was saying, proudly, "and I still managed to dress up! Look at this jacket! Let's have tea when we get there."
The older one smiled affectionately. "Tea can wait. Finish your paper first."
"But some tea would be nice! See how cold it is!" the younger man protested.
The turbaned gentleman pointed to his watch. "There's no time!'
"I'll drive us home!" the other was visibly excited.
His companion couldn't help another fatherly grin. "No, that's OK, I'll do the driving."
"I drive fast!!"
"No, I'll take care of the driving. Think about the paper. There will be lots to write."
The train stopped at Civil Lines. A neon-lit advertisement for a recent Bollywood release all but obscured the wall facing the duo.
"Look!" the younger one pointed eagerly, "This one? Shall we go for this one?"
"Write your paper first, let me drive you home, and you can go for as many movies as you please!"
The younger guy sat there, sulking. His companion patted his shoulder. Like magic, the smile was back.
"You will come with me, then? After the paper? Can I drive after the paper?"
"We'll see."
"Tea? Please? Five minutes for tea?"
The next station is Kashmere Gate. Change here for the Red Line. Doors will open on the right. Please mind the gap.
I cast the two a grateful glance and silently wished the younger guy luck with his paper, whatever it was. Cheerfulness, affection, patience, enthusiasm, understanding - things we could all do with a little more of - are independent of words, really.
This duo, for instance, seemed to be doing just fine with sign language.
Sunday, December 28, 2008
Stepping back...and out.
It's strange, frightening and funny what that kind of passion can do to you. I have found myself alternately envying and feeling sorry for those who've never been what we casually refer to as "absolutely crazy" about something or someone. I envy them their equanimity, their peace of mind, and their (relatively) happy, uncomplicated lives. I'm still not sure if that's a disposition one is born with, or chooses to cultivate, or a bit of both. Whatever it is, it makes for a remarkably even, content existence. Loving so much that it hurts, on the other hand, can do just that - hurt.
Yet, as someone who belongs to the latter category, I wouldn't trade my madness for anything...and I doubt that there's anyone who would. Because it hurts alright, it is elusive and frustrating and maddening and beautiful and destructive and blinding and wonderful, it is everything and nothing - but, more often than not, it is all one has. It is all I have, at any rate. I ought not to be presumptuous, so I will speak for myself.
So there's this one idea, one dream that I've nurtured since I was ten. There's this one institution I believe very firmly in, there's another that I'd give anything to be a part of. There are people that matter like nobody else does. And while some of these I must necessarily wait to reach, there are others I have deliberately chosen to step back from - not in spite of how much I love them, but because I love them so much.
I'm still trying to figure out if I do this in an attempt to keep relationships, impressions and memories untarnished, or because I couldn't possibly love them more. Truth be told, I think it is the former. The pragmatic part of me cynically wants to know if I'm so insecure about what I love as to skirt any risk to its perfection. Were I to be defensive, I'd respond to that with a "Bull***t!". Years have passed since I recognised and acknowledged the attachment, however, so there's a reasonable amount of (what I hope is) maturity, too. And I know why I chose to walk away: Because I had to, and because I will come back one day, but must leave it be for now.
Does that make sense?
Yeah, not to me either :)
In a warped, roundabout way, it is logical, though. I can't hang around. Ergo, I must leave. That doesn't mean that the passion is any lesser. It just means that even when I have every opportunity to visit, to claim a place as my own, I won't. Not any more, if I can help it. Because I love it. It means that I may have been waiting forever for one more glimpse, one opportunity - but will pass it up when it comes my way. Why? Because, if I must leave in spite of how much and how truly I loved, then I must indeed leave - for now, at least. More often than not, though, one leaves because one loves, even when there isn't the slightest hope that there will be a second time. It hurts like hell...and while those who wonder aloud why you're walking away don't matter, they don't help matters either. They don't understand - you're the only person who'll ever know that there was nothing to do, but this.
And then there are the ideals or that one dream that one would die for. I've met people who live seemingly perfect, hassle-free lives. Nothing is a must, so everything is a bonus. That's one approach to life, like I mentioned earlier. I once had a roommate who didn't understand why I was crazy about a particular something. She told me to take it easy - that life would be a lot happier that way, and that I would spend fewer nights reading feverishly, and subject her to fewer mood swings. I tried - not that there was any point even in trying, I realised later :) - and then took to counting up to ten before saying anything, and reading in the living room instead of in ours. Thankfully, it helped :)
But the single-minded obsession refuses to go. Not that I want it to. It keeps me going. When I have nobody and nothing else to fall back on, it is the one thing I can still count on to give me a much-needed push in the right direction. When everything else fades away and I'm alone, I know there's one reason. That there will always be one reason. And there will always be the love that hurts.
Roommates!
"Uh huh."
"I'm hungry."
.
.
.
"I'm hungry."
"Gfndsmfdltmslp."
"What?"
"Go find yourself some food. I want to sleep."
"Aww...I wanted some Maggi."
"Good. We haven't any. Go look for some. You can borrow my saucepan."
"Do you think he'll reply to my email?"
"Who will?"
"Priya! Please!"
"How am I to know? Ask him."
"I can't. We've had a fight."
"Hmm."
"What time do you plan to wake up tomorrow?"
"Six. Six-thirty, at the latest. If you let me sleep, that is."
"Wake me up too, please. I have a paper I need to finish."
Silence.
"I said, wake me up."
"Right."
"Why doesn't he call me back?"
"Tell you what, give me his number. I'll talk to him and tell you why."
"You're doing nothing of the sort!"
" 'night, then."
"Can I switch the light on?"
"You won't if I ask you not to?"
"Did I tell you what D did today? She..."
"No!"
"But I can't sleep!"
"Well, I want to."
"Maybe I should begin that paper now."
"Good idea."
"Do you have anything I can eat?"
"Do you think I do?"
"Will you cook Maggi if I find some? Please, please! I hate standing out there in the cold."
"G, I'm not even hungry."
"You're mean."
"You're annoying."
"I'm not."
"Oh yes you are."
"I said I'm not."
"Of course you are."
"Well, I'm off to sleep. Good night."
Huh?? Good night?
And insomnia changes places.
